Synopsis | Reviews | Praise | Research | Q & A with Rebecca Mead

Synopsis

Using the American wedding as a rosetta stone, in One Perfect Day writer Rebecca Mead poses a series of questions that cut to the heart of our national identity.  Why, she asks, has the American wedding become an outlandishly extravagant, egregiously expensive, and overwhelmingly demanding production? Who decided that brides and grooms must observe tradition while at the same time using the wedding as a vehicle for expressing their personal style? What does a wedding tell us about how Americans consume, relate, and live today?

Astutely observed and deftly witty, One Perfect Day masterfully mixes investigative journalism and social commentary to explore the workings of the wedding industry—an industry that claims to be worth $160 billion to the U.S. economy and which has every interest in ensuring that the American wedding becomes ever more lavish and complex. Taking us inside the workings of the wedding industry—from the swelling ranks of professional event planners to department stores with their online registries to the retailers and manufacturers of bridal gowns to the Walt Disney Company and its Fairytale Weddings program—Rebecca Mead skillfully holds the mirror up to the bride's deepest hopes and fears about her wedding day, dissects the myriad goods and services that will be required for her role within it, and illuminates the commercialization of the intimate sphere.

Weddings are no longer a rite of passage, no longer a transition from childhood to adulthood, or an initiation into a sexual or domestic intimacy, nor necessarily a religious ritual.  The result of this cultural shift is that the event itself has taken on an ever-increasing momentousness shaped as much by commerce and marketing as by religious observance or familial expectation. The American wedding gives expression to the values and preoccupations of our culture. For better or worse, the way we marry is who we are.